ReviewSTACKS.com – Rap reviews, features and commentary

Someone explain to me why ageism is an issue in rap? I don’t see it.

[Stolen from The Rap Up; thanks to Rizoh]

I’m not one for advocating one side over the other so when Solar responds I’ll be sure to post that too. Until then, sobering words.

Good to see a few things: 1. Charles Hamilton – part of me thought he had died. 2. Charles’ sense of humor – part of me thought that might have dislodged due to punches a la upset woman. 3. A new mixtape, Normalcy. Give Chuck another chance? DOWNLOAD.

“If you weren’t a part of it, at least you got to witness” One day (and a day, not very far off), Mr. Watts will be quoting Drake’s line from Forever to describe his own place in the game.  With the release of his birthday mixtape, entitled 24, DK steps into his grown-man shoes even more than on previous projects.

His subject matter is Rated M for Mature without being unrefined, which is what we have come to expect from the proud son of the DMV. Musically, his selections can most accurately be described as “experimental” (not the experimental genre, but that he experiments with different sounds than we are used to hearing from him). Watts tests out new lyrical styles with his faithful soul or jazzy samples, always careful to remain positive and expository. The truth about DK aka Wayne Watts is that he will never escape the posture of a teacher. Through and through, his goal appears to be personal development and passing the lessons of his own experience in generalizable ways to his listening audience. Read more…

Thanks to my brother from another blogging mother, Ivan, over at Hip-Hop Is Read, I lined up an interview with Minneapolis’ own Brother Ali the day after he, Evidence and Toki Wright, played Canes in San Diego while on the Fresh Air Tour – a show that I’ve got more than enough reasons not to forget. Hit the jump for some Q&A with the Good Brother on playing in San Diego, his touring plans and some music he’s looking forward to hearing.

– The show at Canes was fantastic, all three of you guys absolutely killed your sets. How do you like playing San Diego?

Brother Ali - I’ve performed in San Diego before; probably four or five times. There is always a lot of really good energy there and aside from it being a beautiful place, the people are always really good to us.

– Is there anyone you’ve found or listen to that’s from San Diego?

Brother Ali - Yeah, Kahlee, a San Diego rapper. Read more…

A truthful survey of my opinion on the current hip-hop game’s climate around the time that Raekwon’s OB4CL2 came out would have included a treatise on the death of the “gangster lyric” in hip-hop. Make no mistake, it isn’t my belief that those lyrics are gone from the landscape, only that they have lost all of the minimal contact with the reality of the artist’s lives that they may have previously had. For as much as the studied observer of hip-hop music and culture may decry the general apostasy from the image and the styles that they’re used to, is it truly possible to deny the disconnect between lyrics and reality? It is the opinion of the writer that a person who has reached a certain age along with a certain level of success should show an appropriate shift in subject matter reflective of their state of being – then again, if you believe that the biggest drug kingpins in New York are 50 Cent, Cam’ron, and Raekwon this argument will continue to be lost on you. The point being, that no matter what a person used to do, the public expects an artist’s message to mature as time goes on and circumstances change. Read more…

Raekwon the Chef. The man has been cooking up lyrical flavor for 16 years and with the release of Only Built For Cuban Linx 2 he takes us right back to the kitchen – and it’s stocked. Rae’s original Cuban Linx album, released a whopping 14 years ago and known as his masterpiece, brought the rap audience back to his original Wu-roots as he, yet again, painted pictures of the grimy street-life that New York has to offer.

The album begins with “Return of the North Star” which features Papu Wu. The track serves as an introduction to the album through the taped dialogue that is played talking Raekwon’s reputation. The track’s title is a little less subtle. Read more…